Abstract
The article presents the results of the research of hypertextual relationship between the story Ivan Turbinca (Iasi, 1878) by Ion Creanga and Ivan Turbinca 2.0. A Continuation of the Story by Ion Creangă (Iasi, 2019) by Alexandru Vakulovski. Having the status of hypertext, the 2019 version of the story is created through the process of transposing the fabulous world in another spatio-temporal framework, in a cross-cultural virtuality. The mechanism that generates the image of the new artistic world is based on the process of symbolic transfiguration of the essence of ethnic history. The author studies the process of codifying the national history in the system of symbols of the hypertext and the dialogical relations between the voices.