Abstract
The article discusses Ioan Cantacuzino’s New Poems a collection of poetry printed in 1795 in Dubasari While the collection has in the seven decades since its rediscovery been predominantly studied in a literary historical perspective I propose to look at it as a part of the transnational fluxes of European and world modernity and of their dynamic based on affiliation influence and differentiation To this end I follow two directions Firstly I am interested how Cantacuzino sees his own initiative to adopt modern Western poetry in Romanian the hardships he faces the creativity he employs to surpass them Secondly I investigate how Romanian criticism appraised Cantacuzino’s poetic endeavour its shortcomings and its achievements.